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Movie review - Bolt


Nathan Strum

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The last number of years* haven't been kind to Disney. They haven't had a real hit animated film in a very long time.

 

* That number would be 14. It's been that long since The Lion King came out. But since I hated The Lion King, I'd put the number at 16 (Aladdin).

Of course, the reason for that is because they haven't had a real good animated film in a long time.

 

The move to CG didn't help any, as Chicken Little was one of the worst films I'd ever wasted my time seeing, and Meet the Robinsons was only marginally better.

 

However, those two films weren't made under the Pixar regime. Robinson's was released when Pixar was in charge, but it was too far along in production (and too close to its release date) to completely gut and re-work the whole film.

 

Bolt originally started off as American Dog. Designed and directed originally by Chris Sanders, the film had a very promising look to it (Sanders is a very highly regarded designer in animation), and people were hopeful it would turn out well. However, not too long after Pixar came in, Sanders was pulled off the project, and the whole film was gutted and basically started over. The reason? Well, depending on who you ask, either it was John Lasseter's ego, or Sanders' inability to pull the film together. Rumor-mongers tend to "blame" Lasseter. People who've actually worked on the film though, say that despite Sanders' excellent designs, the film just wasn't working. Once Pixar came in and reworked it, the film reportedly became much, much better. (I have to take them at their word, since I haven't seen anything except a short snippet from Sanders' version.) I suppose a good artist does not necessarily make a good director. Something similar recently happened when animator Glen Keane "stepped down" as director from the upcoming Rapunzel. Reportedly, despite Glen's considerable talent as an animator, the film was floundering.

 

Now, some people in the animation community are all up-in-arms about directors being replaced on films, and their visions being reworked (or discarded). Certainly, I can see that point-of-view. But consider this: how many times have you walked out of a movie theater and thought to yourself, "How one earth did that film ever get made? Why didn't anyone have the guts to stand up during its production and say, 'Hey! This movie stinks. We need to fix it!'?" This is something that Pixar does as a matter of course. They did this with Toy Story 2, for example. It wasn't working. They stopped production, changed the story, and made it work. They did this with Ratatouille as well. They are willing to take the steps necessary to make a film good. It's why Pixar hasn't had a dud yet (although I don't really think A Bug's Life was very good, but it still made money).

 

So that brings us to Bolt, which we had a screening of on Friday at work (we have a small 125 seat theater on campus). I went in not expecting much, since I wasn't impressed with Disney's last two efforts, but I had heard some good things about Bolt - and more importantly - I hadn't heard any bad things about it. In a college full of animation geeks, if there's a bad film out there, you hear about it right away.

 

I was very pleasantly surprised. The film was a lot of fun. Was it an industry-changing, earth-shattering masterpiece? Nope. Was it a deep, thought-provoking, brilliant story? Nope. It was just a good, solid, fun, animated film. The story was pretty straightforward, but the characters were likable and well-written, the jokes were funny (and didn't rely on farts or butts, thankfully), and the animation was exceptional. This is a definite step in the right direction (pun not intended) for Disney. Now, all that said, this had "Pixar" written all over it. There were a number of elements in the film that "felt" like they'd come from Pixar films. I don't consider this a bad thing, since Disney needs all the help it can get to stand on its own feet again. Hopefully someday though, they'll find their own unique voice as an animation studio again.

 

Speaking of voices... Miley Cyrus (who plays the little girl in the film) is really quite terrible. Any actress could have slept-walked through that dialog equally or better than she did. The sole reason she was there was for name recognition - to try and draw some of her tween "Hanna Montana" fans into the film. Fortunately, they used her for a minor character, and it didn't really impact the film. (Reportedly, she just re-dubbed the character's lines, which had been played by some other actress initially.) But they need to be careful - Disney has a history of casting actors for their names, not for their abilities. Pixar tends to be much better at casting. John Travolta on the other hand, surprised me as Bolt. He did an excellent job with the character, and only once or twice during the film was I "aware" of the voice behind the character. The scene-stealer, however, is Rhino the hamster. Voiced by story artist Mark Walton, Rhino is the ultimate fan-boy who he gets pulled along on a real-life adventure with his hero, Bolt. It would be like a Trekkie (sorry... "Trekker" :roll:) hitching a ride cross-country with William Shatner, or a Star Wars geek going on a road trip with Mark Hamill. (Incidentally, Carrie Fisher now looks more like Jabba the Hutt than even Jabba the Hutt did.) Not only is Rhino a funny character, but the animation on him is brilliant. Most of the time he's inside his hamster ball, so they have to animate him running around inside that, controlling it to make it go where he wants. How crazy-hard must that have been?

 

bolt-clip2_480p.jpg

Bolt and Rhino... ready for action!

 

The story drifted in and out of predictability, veering into cliché territory at times, but the important thing to note is, the ride was still fun. The characters were likable, the jokes were funny, and they managed to change the formula up just enough so that even though you can predict how things are going to turn out, you may not be able to predict the path they're going to take to get there.

 

Overall I really enjoyed the film. More to the point - the animation students I was watching it with really seemed to enjoy the film too, and they're tough critics. If you're looking for an entertaining, just good-clean-fun film to go see over the holidays, I'd highly recommend Bolt. I'd rate it just above "Kung Fu Panda". (Bolt is also Certified Fresh™ at Rotten Tomatoes. Hopefully it will start picking up some business at the box office.)

 

8.5/10

 

(Incidentally, I saw it in 2-D. Maybe over the holidays I'll try and catch it in 3-D as well.)

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What isn't to like about the Lion King? Good story, good old-school animation, some cool effects, and even subliminal messages!

 

And while it may not be as technically advanced as their other works I quite enjoyed A Bug's Life and I'd put it near the top of Pixar's offerings.

 

Incidentally I saw Wall-E recently and as much as I wanted to like it, it fell kinda short for me for a few reasons. The story seemed a little hacked together, it was difficult feeling any kind of empathy for machines, it was difficult seeing humans depicted so accurately, and from a visual standpoint it seemed to lack any signature Pixar look and feel. Each new Pixar film seems to raise the bar in either a stylistic or technological way that somehow seemed absent here. The look of the film was a little typical and cliche I thought. It was good but not new or beyond the capabilities of any off-the-shelf software package or amateur 3D artist. For me I think the biggest stylistic signature the film had was the shiny, metallic, 70's, sci-fi, white plastic of the female robot. A shader they probably stole from the car paint in Cars.

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What isn't to like about the Lion King? Good story, good old-school animation, some cool effects, and even subliminal messages!

Well, it's been forever since I've seen Lion King, but the biggest problem I recall was that the main character was just too bland. Voice, personality, dialogue, everything. Bland, boring, dull as dirt. This was the beginning of Disney's "boring lead character" era, where the title character was the least interesting one in the film (actually, this started with Aladdin, but let's face it - the genie was the reason that film existed, not Aladdin).

 

I'm sure I had some other problems with it, too (like the whole clichéd musical thing, which was wearing out its welcome by then), but the main character issue is the one that stands out. At any rate, I remember being really perplexed that such a bad film could make such a ridiculously huge amount of money. My theory was that Disney was riding on pure momentum from Little Mermaid, Beauty and the Beast, and Aladdin (although nobody seems to remember "Rescuers Down Under" being in there), and that any film they put out at that time was bound to be a hit. It took a couple of stinkers before people realized Disney was just badly regurgitating the same tired formula over and over, and finally stopped going to see them.

 

Even Disney had to know the Lion King himself was a lousy character, because for the TV series, they used the two sidekicks instead.

 

And while it may not be as technically advanced as their other works I quite enjoyed A Bug's Life and I'd put it near the top of Pixar's offerings.

I couldn't get past the (again) bland lead character. For that matter, nearly all of the ants were bland. Bland looking, bland acting. (Except Phyllis Diller's character.) Just couldn't care less about what happened to any of them in the film. I'd rather have seen the grasshoppers (who were excellent) win in the end. Or just skip the ants, and have a movie about the circus bugs.

 

Incidentally I saw Wall-E recently and as much as I wanted to like it, it fell kinda short for me for a few reasons. The story seemed a little hacked together, it was difficult feeling any kind of empathy for machines, it was difficult seeing humans depicted so accurately, and from a visual standpoint it seemed to lack any signature Pixar look and feel. Each new Pixar film seems to raise the bar in either a stylistic or technological way that somehow seemed absent here. The look of the film was a little typical and cliche I thought. It was good but not new or beyond the capabilities of any off-the-shelf software package or amateur 3D artist. For me I think the biggest stylistic signature the film had was the shiny, metallic, 70's, sci-fi, white plastic of the female robot. A shader they probably stole from the car paint in Cars.

I thought the acting and animation of the characters was excellent. I really was captivated by it. It seems to be a very divisive film though - people either loved it or hated it. Visually though, I think it's very different from anything Pixar had done. I hope you got to see it in the theater, or on an HDTV in Blu-Ray. It really deserves to be seen with all of the wealth of detail that it has. Plus, I really liked the whole satirical jab at Wal-Mart/McDonald's/StarBucks-type corporations. I hate Wal-Mart even more than The Lion King. :)

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I thought the acting and animation of the characters was excellent. I really was captivated by it. It seems to be a very divisive film though - people either loved it or hated it. Visually though, I think it's very different from anything Pixar had done. I hope you got to see it in the theater, or on an HDTV in Blu-Ray. It really deserves to be seen with all of the wealth of detail that it has. Plus, I really liked the whole satirical jab at Wal-Mart/McDonald's/StarBucks-type corporations. I hate Wal-Mart even more than The Lion King. :)

 

 

I certainly didn't hate it. The animation was done really well as usual and it did look great. And I appreciate the story was more significant than just kid fluff. It's kind of hard to pinpoint exactly what I didn't like about it other than as you say, the main character was a little difficult to get behind. And no, I didn't see it in the theater. I kind of liked the Burn-E short that came with the DVD though. It still takes place in the Wall-E world but has more fun with it. The other short that comes with the DVD is brilliant though. It's straight outta Looney Tunes kind of animation. I think it was called Presto or something like that. Well worth seeing if you get a chance.

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Well, hate is a poor choice of words. Perhaps polarize is better. At least in the animation community, there were very few people who weren't at one extreme or another about how they felt on the film.

 

Presto on the other hand has been pretty-much universally applauded. It's great to see them really stepping out and doing fun animation just for the sake of it being fun.

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It's nice to know I'm not unique that don't like Lion King.

The last Dysney movie that really impressed me was Beauty and the beast.

 

And I'm sad to see that 2D animations is out of fashion.

 

Actually, 3D animation is faster and way easy to do compared to 2D and not need a true artist to give life for the characters.

That's why I hate 3D animations.

 

Nathan, did you hear about Destino?

It's a short animation drawed by Salvador Dali, THAT is a animation, too bad he quit the drawings of this movie, so there are only few minutes of animation, but is the most beautifull animation I ever seen. I hope they release it for DVD.

 

destino trailer

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I'd heard of Destino, but hadn't seen footage until now - thanks! Amazing stuff.

 

As for 2D - it's not dead yet. Disney's The Princess and the Frog is 2D. Admittedly, it's yet-another-Disney-Princess film, but it's a start. They have to fix the animation machine first, before they can start taking risks again. (Some would argue 2D is a risk, but Disney DVD sales say otherwise.)

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I'm big fan of Æon Flux also :)

Dali began the works of this movie in 1946, less than 10 years after Dysney Snow White... If I'm not wrong.

Ok they use computer to finish it, anyway there is a huge talent on this short movie.

As for 2D - it's not dead yet. Disney's The Princess and the Frog is 2D. Admittedly, it's yet-another-Disney-Princess film, but it's a start. They have to fix the animation machine first, before they can start taking risks again.

At least they have an 2d project, it's good to know :)

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